Finnish dancer Nelly Hakkarainen (23) came to Berlin almost 5 years ago. Having
finished her dance education she is now working on
her own projects together with her Korean boyfriend, Wooguru. The
symbiosis of their different cultural backgrounds has come to fruition. With their ongoing improvisation piece grounded
they have already been to New York, Ourique, Tampere and Helsinki. Next month
they even have a residency in Seoul.
Tell us a little
about your backround. Have you always wanted to be a performer?
When I was 10 years old I started with Finnish folklore dance. A couple of years later I started to learn modern dance. I really enjoyed it and began to progress very quickly. Back then I decided to be a dancer. One of my biggest idols is the Finnish dancer and choreographer Susanna Leinonen. She gave workshops at my dance studio as well. At my high school I could choose different educational paths and I completed my Abitur in performing arts. That motivated me a lot and helped me to make dance to my profession. When I was 19 I came to Berlin and studied dance for three years.
When I was 10 years old I started with Finnish folklore dance. A couple of years later I started to learn modern dance. I really enjoyed it and began to progress very quickly. Back then I decided to be a dancer. One of my biggest idols is the Finnish dancer and choreographer Susanna Leinonen. She gave workshops at my dance studio as well. At my high school I could choose different educational paths and I completed my Abitur in performing arts. That motivated me a lot and helped me to make dance to my profession. When I was 19 I came to Berlin and studied dance for three years.
Was there a
particular reason why you came to Berlin?
I learned German at school and worked previously on a project in Germany in the Ruhr area. Berlin interested me very much as a metropolis. Here there is so much going on and it is so much cheaper here. I guess I couldn`t afford to live as a dancer in Finnland.
I learned German at school and worked previously on a project in Germany in the Ruhr area. Berlin interested me very much as a metropolis. Here there is so much going on and it is so much cheaper here. I guess I couldn`t afford to live as a dancer in Finnland.
I´m orginally from Tampere in Central Finnland and in
comparison to Berlin the cultural life here
offers you so much more! In Tampere there is maybe
one dance event per month. Here you have a
couple of events every day. I don´t go to those that often, but I enjoy having the possibility.
Last Friday f.ex. I was in Friedrichshagen at lake studios to see
unfinished Fridays. Once a month you can see or show work-in-progress pieces.
For me its quite interesting to see the progress of an idea from other dancers,
too.
Performance with Wooguru in Grandacos, Porutgal | Photo: Ana Nobre |
What do you like
about Berlin?
Paris for example is like a big museum. Berlin is different. It‘s not that perfect plus its more diverse. Those breaks in the image of a city are way more interesting for me than just nice facades. Berlin is a bit like Helsinki. Maybe that’s why it feels like home here.
Paris for example is like a big museum. Berlin is different. It‘s not that perfect plus its more diverse. Those breaks in the image of a city are way more interesting for me than just nice facades. Berlin is a bit like Helsinki. Maybe that’s why it feels like home here.
I already moved four times since I came to Berlin and
lived in different areas. Right now I live close to Schönhauser Allee. I like
the name: street with beautiful houses. Before, I lived in Schöneberg. I liked
it a bit better, because it’s more calm and chilled and there are less
tourists.
Was it difficult
to get into the dancing scene in Berlin?
No, because of my school I could establish myself very fast and got involved in different projects right away. It is quite easy to find interesting projects here, but the payment is often not that good. That´s why I work as a dance teacher and at Berliner Residenz Konzerte as well to finance my projects. At the same time I enjoy teaching very much.
No, because of my school I could establish myself very fast and got involved in different projects right away. It is quite easy to find interesting projects here, but the payment is often not that good. That´s why I work as a dance teacher and at Berliner Residenz Konzerte as well to finance my projects. At the same time I enjoy teaching very much.
Solo improvisation at Joachim Rongs Gallerie für Moderne Kunst | Photo source: Nelly Hakkarainen |
Berlins Kulturstaatssekretär
Tim Renner said in an interview
that the ticket prices for Berlin’s cultural life are too cheap. What do you
think about it?
Of course I think artists should get paid appropriately for their work. At the same time it is questionable, when all tickets are as expensive as f.ex. the city ballet, it’s not possible for everybody to afford culture anymore. Art and culture should be accessible for everybody!
Of course I think artists should get paid appropriately for their work. At the same time it is questionable, when all tickets are as expensive as f.ex. the city ballet, it’s not possible for everybody to afford culture anymore. Art and culture should be accessible for everybody!
You work as a
dancer, choreographer and teacher. Do you prefer one field over another?
Every field supports one another. When I´m teaching I have great liberties to develop a choreography. I couldn’t work only as a choreographer right now. It’s too important for me to dance, too. It’s great to work on projects from other people as well, so I don’t have to bear the entire responsibility by myself.
Every field supports one another. When I´m teaching I have great liberties to develop a choreography. I couldn’t work only as a choreographer right now. It’s too important for me to dance, too. It’s great to work on projects from other people as well, so I don’t have to bear the entire responsibility by myself.
Does your Finnish background
influence your work as a dancer?
Yes, i still like Finnish folk music very much as well as history, mythology and tradition. One day I want to make a multigenerational piece with modern Finnish folk music about the relations between generations and the stories behind them.
Yes, i still like Finnish folk music very much as well as history, mythology and tradition. One day I want to make a multigenerational piece with modern Finnish folk music about the relations between generations and the stories behind them.
Nelly and Wooguru | Photos: Noora Lehtovouri |
What is your favorite project
so far?
I have been working with my boyfriend on a project called grounded. We have been working on it for over a year now and have developed quite a bit.
I have been working with my boyfriend on a project called grounded. We have been working on it for over a year now and have developed quite a bit.
It
is about freedom and its various forms. How are we as humans responsible
for our freedom? What is freedom in our actions? We try to focus on the moment
during our performance.
Further it is important for us to perform at unusual
locations and not at traditional dance stages, like galleries, streets or even
at a former bear cage at a zoo. It is an improvisation piece and every
performance is a bit different and adapted to the location. We have already had
performances in Germany, Portugal, Finland and the USA. Next month we are
residents in Seoul and will perform there as well.
Where do you draw
your inspiration from?
Pictures are my main source of inspiration. Either I have a certain picture in mind or I come across with one in my daily life. I often go to exhibitions and museums. Out of a certain picture I develop an idea or concept for a choreography. Another important source of inspiration for me is literature.
Pictures are my main source of inspiration. Either I have a certain picture in mind or I come across with one in my daily life. I often go to exhibitions and museums. Out of a certain picture I develop an idea or concept for a choreography. Another important source of inspiration for me is literature.
I
love reading autobiographies of strong successful women. Recently I read Teetyötä ja rakasta, a biography about the finnish author Tove Janson. Another
woman I really admire is Isadora Duncan, the pioneer of Modern Dance. She was
so passionate, its fascinating to me!
Choreography by Andrea Krohn | Photo source: Nelly Hakkarainen |
What are your future plans?
I want to focus more on my own projects and establish myself as a dancer. In a couple of years I can imagine to go back to Finland and start working within other bodywork fields like yoga and pilates or start something totally different. For ten years I went to art school and would like to work more with fine arts.
I want to focus more on my own projects and establish myself as a dancer. In a couple of years I can imagine to go back to Finland and start working within other bodywork fields like yoga and pilates or start something totally different. For ten years I went to art school and would like to work more with fine arts.
Can you recommend
a place in Berlin for people interested in dance?
Oh, well. That’s not so easy, because of the broad range of dance events and institutions. I can definitely recommend the works of Sasha Waltz. Further I will encourage you to be brave and try something new and get surprised, either positively or negatively. Otherwise I recommend having a look at TanzRaumBerlin to get an overview about current events in Berlin. If you are looking for dance studios, I suggest doc 11, Marameo and Centre of dance.
Oh, well. That’s not so easy, because of the broad range of dance events and institutions. I can definitely recommend the works of Sasha Waltz. Further I will encourage you to be brave and try something new and get surprised, either positively or negatively. Otherwise I recommend having a look at TanzRaumBerlin to get an overview about current events in Berlin. If you are looking for dance studios, I suggest doc 11, Marameo and Centre of dance.
Thank you, Nelly! To Find out more about her work check out her vimeo site here. Her website is coming later this year. Stay tuned!
Interview: Skadi Borchert
Editing: Sean Kallsen-MacKenzie
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